Pink of Perfection

Last August Hours Before the Year 2000

by Naomi Shihab Nye

Spun silk of mercy,
long-limbed afternoon,
sun urging purple blossoms from baked stems.
What better blessing than to move without hurry
under trees?
Lugging a bucket to the rose that became a twining
house by now, roof and walls of vine—
you could live inside this rose.
Pouring a slow stream around the
ancient pineapple crowned with spiky fruit,
I thought we would feel old
by the year 2000.
Walt Disney thought cars would fly.

What a drama to keep thinking the last summer
the last birthday
before the calendar turns to zeroes.
My neighbor says anything we plant
in September takes hold.
She’s lining pots of little grasses by her walk.

I want to know the root goes deep
on all that came before,
you could lay a soaker hose across
your whole life and know
there was something
under layers of packed summer earth
and dry blown grass
to moisten.

The Day Lady Died

by Frank O’Hara

It is 12:20 in New York a Friday
three days after Bastille day, yes
it is 1959 and I go get a shoeshine
because I will get off the 4:19 in Easthampton
at 7:15 and then go straight to dinner
and I don’t know the people who will feed me

I walk up the muggy street beginning to sun
and have a hamburger and a malted and buy
an ugly NEW WORLD WRITING to see what the poets
in Ghana are doing these days
                                       I go on to the bank
and Miss Stillwagon (first name Linda I once heard)
doesn’t even look up my balance for once in her life
and in the GOLDEN GRIFFIN I get a little Verlaine
for Patsy with drawings by Bonnard although I do
think of Hesiod, trans. Richmond Lattimore or
Brendan Behan’s new play or Le Balcon or Les Nègres
of Genet, but I don’t, I stick with Verlaine
after practically going to sleep with quandariness

and for Mike I just stroll into the PARK LANE
Liquor Store and ask for a bottle of Strega and
then I go back where I came from to 6th Avenue
and the tobacconist in the Ziegfeld Theatre and
casually ask for a carton of Gauloises and a carton
of Picayunes, and a NEW YORK POST with her face on it

and I am sweating a lot by now and thinking of
leaning on the john door in the 5 SPOT
while she whispered a song along the keyboard
to Mal Waldron and everyone and I stopped breathing

photo via psd

In the Tunnel of Summers

by Anne Stevenson

Moving from day into day,
I don’t know how,
eating these plums now
this morning for breakfast,
tasting of childhood’s
mouth-pucker tartness,
watching the broad light
seed in the fences,
honey of barley,
gold ocean, grasses,
as the tunnel of summers,
of nothing but summers,
opens again
in my traveling senses.

I am eight and eighteen and eighty
all the Augusts of my day.

Why should I be, I be
more than another?
Brown foot in sandal,
burnt palm on flaked clay,
flesh under waterfall
baubled in strong spray,
blood on the stubble
of fly-sweet hay.
Why not my mother’s, my
grandmother’s ankle
hurting as harvest hurts
thistle and animal?
A needle of burning;
why this way or that way?

They are already building the long straw cemetery
where my granddaughter’s daughter has been born and buried.

photo via LIFE

Mother, Washing Dishes

She rarely made us do it—
we’d clear the table instead—so my sister and I teased
that some day we’d train our children right
and not end up like her, after every meal stuck
with red knuckles, a bleached rag to wipe and wring.
The one chore she spared us: gummy plates
in water greasy and swirling with sloughed peas,
globs of egg and gravy.

Or did she guard her place
at the window? Not wanting to give up the gloss
of the magnolia, the school traffic humming.
Sunset, finches at the feeder. First sightings
of the mail truck at the curb, just after noon,
delivering a note, a card, the least bit of news.

–Susan Meyers

Those hours when happy hours were my estate, –
Entailed, as proper, for the next in line,
Yet mind the harvest, and the title mine–
Those acres, fertile, and the furrow straight,
From which the lark would rise–all of my late
Enchantments, still, in brilliant colours, shine,
But striped with black, the tulip, lawn and vine,
Like gardens looked at through an iron gate.
Yet not as one who sojourned there
I view the lovely segments of a past
I lived with all my senses, well aware
That this was perfect, and it would not last:
I smell the flower, though vacuum-still the air;
I feel its texture, though the gate is fast.

–Edna St. Vincent Millay, from “Mine the Harvest”

What the Living Do

Johnny, the kitchen sink has been clogged for days, some utensil
     probably fell down there.
And the Drano won’t work but smells dangerous, and the crusty
     dishes have piled up

waiting for the plumber I still haven’t called. This is the everyday we
     spoke of.
It’s winter again: the sky’s a deep headstrong blue, and the sunlight
     pours through

the open living room windows because the heat’s on too high in here,
     and I can’t turn it off.
For weeks now, driving, or dropping a bag of groceries in the street
     the bag breaking,

I’ve been thinking: This is what the living do. And yesterday, hurrying
     along those
wobbly bricks in the Cambridge sidewalk, spilling my coffee down my
     wrist and sleeve,

I thought it again, and again later, when buying a hairbrush:
     This is it.
Parking. Slamming the car door shut in the cold. What you called
     that yearning.

What you finally gave up. We want the spring to come and the winter
     to pass. We want
whoever to call or not call, a letter, a kiss — we want more and more
     and then more of it.

But there are moments, walking, when I catch a glimpse of myself in
     the window glass,
say, the window of the corner video store, and I’m gripped by a
     cherishing so deep

for my own blowing hair, chapped face, and unbuttoned coat that I’m
     speechless:

I am living, I remember you.

–Marie Howe

photo via alancleaver

image via glennwilliamspdx

Happiness

There’s just no accounting for happiness,
or the way it turns up like a prodigal
who comes back to the dust at your feet
having squandered a fortune far away.

And how can you not forgive?
You make a feast in honor of what
was lost, and take from its place the finest
garment, which you saved for an occasion
you could not imagine, and you weep night and day
to know that you were not abandoned,
that happiness saved its most extreme form
for you alone.

No, happiness is the uncle you never
knew about, who flies a single-engine plane
onto the grassy landing strip, hitchhikes
into town, and inquires at every door
until he finds you asleep midafternoon
as you so often are during the unmerciful
hours of your despair.

It comes to the monk in his cell.
It comes to the woman sweeping the street
with a birch broom, to the child
whose mother has passed out from drink.
It comes to the lover, to the dog chewing
a sock, to the pusher, to the basket maker,
and to the clerk stacking cans of carrots
in the night.
It even comes to the boulder
in the perpetual shade of pine barrens,
to rain falling on the open sea,
to the wineglass, weary of holding wine.

–Jane Kenyon

photo via stefski

Aimless Love

This morning as I walked along the lakeshore,
I fell in love with a wren
and later in the day with a mouse
the cat had dropped under the dining room table.

In the shadows of an autumn evening,
I fell for a seamstress
still at her machine in the tailor’s window,
and later for a bowl of broth,
steam rising like smoke from a naval battle.

This is the best kind of love, I thought,
without recompense, without gifts,
or unkind words, without suspicion,
or silence on the telephone.

The love of the chestnut,
the jazz cap and one hand on the wheel.

No lust, no slam of the door –
the love of the miniature orange tree,
the clean white shirt, the hot evening shower,
the highway that cuts across Florida.

No waiting, no huffiness, or rancor –
just a twinge every now and then

for the wren who had built her nest
on a low branch overhanging the water
and for the dead mouse,
still dressed in its light brown suit.

But my heart is always propped up
in a field on its tripod,
ready for the next arrow.

After I carried the mouse by the tail
to a pile of leaves in the woods,
I found myself standing at the bathroom sink
gazing down affectionately at the soap,

so patient and soluble,
so at home in its pale green soap dish.
I could feel myself falling again
as I felt its turning in my wet hands
and caught the scent of lavender and stone.

– Billy Collins